Why I wrote The Da Vinci Code'
Dan Brown

Dan Brown, author of the best selling The Da Vinci Code speaks on why he wrote the book, his life and faith.

How much of this novel is true?
The Da Vinci Code is a novel and therefore a work of fiction. While the book's characters and their actions are obviously not real, the artwork, architecture, documents, and secret rituals depicted in this novel all exist (for example, Leonardo Da Vinci's paintings, the Gnostic Gospels, Hieros Gamos, etc.). These real elements are interpreted and debated by fictional characters. While it is my belief that some of the theories discussed by these characters may have merit, each individual reader must explore these characters' viewpoints and come to his or her own interpretations. My hope in writing this novel was that the story would serve as a catalyst and a springboard for people to discuss the important topics of faith, religion, and history.

Is this book anti-Christian?
No. This book is not anti-anything. It's a novel. I wrote this story in an effort to explore certain aspects of Christian history that interest me. The vast majority of devout Christians understand this fact and consider The Da Vinci Code an entertaining story that promotes spiritual discussion and debate. Even so, a small but vocal group of individuals has proclaimed the story dangerous, heretical, and anti-Christian. While I regret having offended those individuals, I should mention that priests, nuns, and clergy contact me all the time to thank me for writing the novel.

Many church officials are celebrating The Da Vinci Code because it has sparked renewed interest in important topics of faith and Christian history. It is important to remember that a reader does not have to agree with every word in the novel to use the book as a positive catalyst for introspection and exploration of our faith.

What do you think of clerical scholars attempting to disprove The Da Vinci Code?
The dialogue is wonderful. These authors and I obviously disagree, but the debate that is being generated is a positive powerful force. The more vigorously we debate these topics, the better our understanding of our own spirituality. Controversy and dialogue are healthy for religion as a whole. Religion has only one true enemy-apathy-and passionate debate is a superb antidote.

Are you a Christian?
Yes. Interestingly, if you ask three people what it means to be Christian, you will get three different answers. Some feel being baptized is sufficient. Others feel you must accept the Bible as absolute historical fact. Still others require a belief that all those who do not accept Christ as their personal savior are doomed to hell. Faith is a continuum, and we each fall on that line where we may. By attempting to rigidly classify ethereal concepts like faith, we end up debating semantics to the point where we entirely miss the obvious--that is, that we are all trying to decipher life's big mysteries, and we're each following our own paths of enlightenment. I consider myself a student of many religions. The more I learn, the more questions I have. For me, the spiritual quest will be a life-long work in progress.

Has anyone in organized religion come out in support of your novel?
Yes, many people in organized religion have come out in support of this novel, and, of course, many have come out in opposition as well. The opposition generally comes from the strictest Christian thinkers who feel the idea of a "married Jesus" serves to undermine His divinity. While I don't agree with this interpretation, this is immaterial because the dialogue itself is a deeply empowering and positive force for everyone involved. Suddenly, enormous numbers of people are passionately debating important philosophical topics, and regardless of the personal conclusions that each of us draws, the debate can only help to strengthen our understanding of our own faith. Much of the positive response I get from within organized religion comes from nuns (who write to thank me for pointing out that they have sacrificed their entire lives to the Church and are still considered "unfit" to serve behind the altar).

I have also heard from hundreds of enthusiastic priests. While many of them disagree with some of the ideas in the novel, they are thrilled that their parishioners are eager to discuss religion. Father John Sewell of St. John's Episcopal Church in Memphis stated it particularly eloquently in the press recently, saying: "This [novel] is not a threat. This is an opportunity. We are called to creatively engage the culture and this is what I want to do. I think Dan Brown has done me a favor. He's letting me talk about things that matter."

Are you surprised by the book's success?
Stunned. I worked very hard on this novel, and I certainly expected people would enjoy it, but I never imagined so many people would be enjoying it this much. I wrote this book essentially as a group of fictional characters exploring ideas that I found personally intriguing. These same themes obviously resonate with a great many people.

This novel is empowering of women, can you comment?
Two thousand years ago, we lived in a world of Gods and Goddesses. Today, we live in a world solely of Gods. Women in most cultures have been stripped of their spiritual power. The novel touches on questions of how and why this shift occurredSand on what lessons we might learn from it regarding our future.

Where did you get the idea for The Da Vinci Code?
This particular story kept knocking on my door until I answered. I first learned of the mysteries hidden in Da Vinci's paintings while I was studying art history at the University of Seville in Spain. Years later, while researching Angels & Demons and the Vatican Secret Archives, I encountered the Da Vinci enigma yet again. I arranged a trip to the Louvre Museum where I was fortunate enough to view the originals of some of Da Vinci's most famous works as well as discuss them with an art historian who helped me better understand the mystery behind their surprising anomalies. From then on, I was captivated. I spent a year doing research before writing The Da Vinci Code.

How did you get all the inside information for this book?
Most of the information is not as "inside" as it seems. The secret described in the novel has been chronicled for centuries, so there are thousands of sources to draw from. In addition, I was surprised how eager historians were to share their expertise with me. One academic told me her enthusiasm for The Da Vinci Code was based in part on her hope that "this ancient mystery would be unveiled to a wider audience."

Would you consider yourself a conspiracy theorist?
Hardly. In fact, I'm quite the opposite--more of a skeptic. I see no truth whatsoever in stories of extraterrestrial visitors, crop circles, the Bermuda Triangle, or many of the other "mysteries" that permeate pop culture. However, the secret behind The Da Vinci Code was too well documented and significant for me to dismiss.

Interview courtesy wwwdanbrown.com